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Tuesday, April 26, 2011

Link Wray.....The Original Rumble plus 22 other Storming Guitar Instrumentals


Fred Lincoln 'Link' Wray, Jr. (May 2, 1929 – November 5, 2005), was an American rock and roll guitarist, songwriter and vocalist who first came to popularity in the late 1950s.

Building on the distorted electric guitar sound of early records, his 1958 instrumental hit "Rumble" by Link Wray and his Ray Men popularized "the power chord, the major modus operandi of modern rock guitarists", making possible "punk and heavy rock". Rolling Stone placed Wray at No. 45 of the 100 greatest guitarists of all time. In 2013 he was announced as a nominee for the Rock and Roll Hall of Fame. His musical style primarily consisted of rock and roll, rockabilly and country.

No collection is complete without an album by this man. Link Wray is the inventor of the power chord that influenced a whole generation of British and American guitarists. The Who, The Kinks and many more took the power chord to another level because of hearing Link DO IT FIRST! He was the inventor of a style of music that is such a deep part of musical history.

1. Rumble
2. The Swag
3. Batman (Theme)
4. Ace Of Spades
5. Jack The Ripper
6. I'm Branded
7. Fat Back
8. Run Chicken Run
9. Turnpike USA
10. Deuces Wild
11. Mustang
12. Blueberry Hill
13. Run Boy Run
14. The Sweeper
15. Hound Dog
16. That'll Be The Day
17. The Fuzz
18. Rawhide
19. Draggin'
20. Aces Wild
21. Bull Dawg
22. The Rumble Man
23. Copenhagen
                                                   

Monday, April 18, 2011

Miles Davis.....Kind of Blue


This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed (Amazon review)

1. So What 9:22
2. Freddie Freeloader 9:46
3. Blue In Green 5:37
4. All Blues 11:32
5. Flamenco Sketches 9:26
6. Flamenco Sketches (alternate take) 9:31
 

                                                          

Monday, April 11, 2011

B B King....Singin' the Blues / The Blues (first 2 albums)


B.B. King's first tracks were cut for Bullet Records in 1949, but he cut his first two albums for the RPM/Kent label. These two albums, which are brought together on one CD, were originally released in 1956 and 1960 respectively, and they still stand proudly as B.B. King's best and bluesiest. They contain classic songs like "Three O'Clock Blues," "You Know I Love You," "Woke Up This Morning," "Please Love Me" and "When My Heart Beats Like a Hammer." The box set King of the Blues contains only three of these songs. The arrangements are smooth and elegant, frequently displaying a hint of jazz, and King is backed by a well-arranged horn section in true Memphis blues fashion. If you're looking for a more complete introduction to the formative years of one of the greatest living bluesmen, this is the album to get.

1. Please Love Me
2. You Upset Me Baby
3. Everyday (I Have The Blues)
4. Bad Luck
5. Three O'clock Blues
6. Blind Love
7. Woke Up This Morning (My Baby She Was Gone)
8. You Know I Love You
9. Sweet Little Angel
10. Ten Long Years
11. Did You Ever Love A Woman
12. Crying Won't Help You
13. Why Do Things Happen To Me
14. Ruby Lee
15. When My Heart Beats Like A Hammer
16. Past Day
17. Boogie Woogie Woman
18. Early Every Morning
19. I Want To Get Married
20. That Ain't The Way To Do It
21. Troubles, Troubles, Troubles
22. Don't You Want A Man Like Me
23. You Know I Go For You
24. What Can I Do

BLUES JAM SESSION..Learn To Play Blues Guitar With 60 Blues Backing Tracks, Video Lessons And Courses





                                                       

Tuesday, April 5, 2011

Muddy Waters...Folk Singer

Muddy Waters started out playing acoustic blues in the Delta, and it shows on this return to his roots, designed to appeal to the mid-1960s surge of interest in folk music. It's a wonderful acoustic blues album. You've got the king of the electric blues, his wonderful voice and slide guitar, you've got legendary songwriter/bassist Willie Dixon, AND, as if that weren't enough, a very young Buddy Guy on lead guitar!All of the other reasons to hear this one remain--Waters's strong, confident voice, the relaxed smoothness of the material, and the surprisingly clean recording, made even cleaner by the digital remastering.

1. My Home Is In The Delta
2. Long Distance
3. My Captain
4. Good Morning Little School Girl
5. You Gonna Need My Help
6. Cold Weather Blues
7. Big Leg Woman
8. Country Boy
9. Feel Like Going Home
10. The Same Thing
11. You Can't Lose What You Ain't Never Had
12. My John The Conqueror Root
13. Short Dress Woman
14. Put Me In Your Lay Away

Friday, April 1, 2011

Cannoball Adderley....Somethin' Else...Blue Note classic


You don't have to be a pure Jazz fan to appreciate this masterpiece. Just put it on and chill man!

This wondrously relaxed blowing session was recorded in 1958 when Julian "Cannonball" Adderley was a member of Miles Davis's group--the one that recorded Kind of Blue--and the date is as much the trumpeter's as it is the altoist's. Davis's voice is much in evidence, from the subdued fire of the ballads to the crackling flames of the title tune, while Adderley's creamy alto invokes earlier swing and blues masters as well as Charlie Parker. The ballads and long, medium-tempo blues are complemented superbly by the thoughtful voicings of pianist Hank Jones and the great rhythm section of bassist Sam Jones and Art Blakey, who distinguished every session they participated in together. While Davis's Columbia recordings of the period were often ambitious and groundbreaking music, this Blue Note date is a more casual masterpiece.

1. Autumn Leaves
2. Love for Sale
3. Somethin' Else
4. One for Daddy-O
5. Dancing in the Dark
6. Alison's Uncle (extra track not on original vinyl LP)