Antoine Dominique "Fats" Domino Jr. (February 26, 1928 – October 24, 2017) was an American pianist and singer-songwriter of Louisiana Creole descent. He had 35 records in the U.S. Billboard Top 40, and five of his pre-1955 records sold more than a million copies, being certified gold.
Between 1955 and 1960, he had eleven Top 10 hits, and his record sales were reportedly surpassed only by Elvis Presley. During his career, Domino sold more than 65 million records. His musical style was based on traditional rhythm and blues, accompanied by saxophones, bass, piano, electric guitar, and drums.
He was born and raised in New Orleans, Louisiana, the youngest of eight children born to Antoine Caliste Domino (1879–1964) and Marie-Donatille Gros (1886–1971). The Domino family was of French Creole background, and Louisiana Creole was his first language. By age 14, Domino was performing in New Orleans bars. In 1947, Billy Diamond, a New Orleans bandleader, accepted an invitation to hear the young pianist perform at a backyard barbecue. Domino played well enough that Diamond asked him to join his band, the Solid Senders, at the Hideaway Club in New Orleans, where he would earn $3 a week playing the piano.[8] Diamond nicknamed him "Fats", because Domino reminded him of the renowned pianists Fats Waller and Fats Pichon, but also because of his large appetite.
Domino was one of the biggest stars of rock and roll in the 1950s and one of the first R&B artists to gain popularity with white audiences. His biographer Rick Coleman argues that Domino's records and tours with rock-and-roll shows in that decade, bringing together black and white youths in a shared appreciation of his music, was a factor in the breakdown of racial segregation in the United States. The artist himself did not define his work as rock and roll, but as a Dixieland music, saying, "It wasn't anything but the same rhythm and blues I'd been playin' down in New Orleans."
Domino was also an important influence on the music of the 1960s and 1970s and was acknowledged as such by some of the top artists of that era. Elvis Presley introduced Fats at one of his Las Vegas concerts, saying, "This gentleman was a huge influence on me when I started out." Presley also made this comment in a 1957 interview: "A lot of people seem to think I started this business. But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that."
Both John Lennon and Paul McCartney recorded Domino songs. According to some reports, McCartney wrote the Beatles song "Lady Madonna" in emulation of Domino's style, combining it with a nod to Humphrey Lyttelton's 1956 hit "Bad Penny Blues". Domino also recorded the song in 1968. Domino returned to the "Hot 100" chart for the last time in 1968, with his recording of "Lady Madonna". That recording, as well as covers of two other songs by the Beatles, appeared on his Reprise album Fats Is Back, produced by Richard Perry and with several hits recorded by a band that included the New Orleans pianist James Booker
