There are many versions of The Beatles' early recordings available, and, yes, this is another one, but worth listening to for the beginnings of not only The Beatles, but for the Beat scene in the UK from the early sixties. A good selection of rock'n'roll and R&B covers plus The Beatles' tribute to The Shadows, the instrumental track "Cry For A Shadow".
Your free collectors guide to the essential and recommended music to have in your collection - vintage rock ,rock and roll, rockabilly, jazz, blues, country, soul, classic sixties, contemporary rock and roots music. With FREE music download samples
.

Friday, August 12, 2011
Friday, May 27, 2011
Hank Williams...40 Greatest Hits
Hank Williams, Sr. (September 17, 1923 – January 1, 1953), born Hiram King Williams, was an American singer-songwriter and musician. Regarded as one of the most significant country music artists, Williams recorded 35 singles (five released posthumously) that would place in the Top 10 of the Billboard Country and Western Best Sellers chart, including 11 that ranked number one.
Born in Mount Olive, Butler County, Alabama, Williams moved to Georgiana, where he met Rufus Payne, a black street performer who gave him guitar lessons in exchange for meals or money. Payne had a major influence on Williams' later musical style. During this time, Williams informally changed his name to Hank, believing it to be a better name for country music. He moved to Montgomery and his music career began there in 1937 when WSFA radio station producers hired him to perform and host a 15-minute program. He formed as backup the Drifting Cowboys band, which was managed by his mother, and dropped out of school to devote his time to his career.
When several of his band members were conscripted into military service during World War II, Williams had trouble with their replacements and was dismissed by WSFA due to his alcoholism. Williams eventually married Audrey Sheppard, who managed the singer for nearly a decade. After recording "Never Again" and "Honky Tonkin'" with Sterling Records, he signed a contract with MGM Records. In 1948 he released "Move it on Over", which became a hit, and also joined the Louisiana Hayride radio program. One year later, he released a cover of "Lovesick Blues", which carried him into the mainstream of music. After an initial rejection, Williams joined the Grand Ole Opry. He had 11 number one songs between 1948 and 1953, though he was unable to read or notate music to any significant degree. Among the hits he wrote were "Your Cheatin' Heart", "Hey, Good Lookin'", and "I'm So Lonesome I Could Cry".
Several years of back pain, alcoholism and prescription drug abuse severely deteriorated Williams's health; he divorced Audrey and was dismissed by the Grand Ole Opry, citing unreliability and frequent drunkenness. Williams died in the early morning hours of New Years Day in 1953 at the age of 29 from heart failure exacerbated by pills and alcohol. Despite his short life, Williams has had a major influence on twentieth-century popular music. The songs he wrote and recorded have been covered by numerous artists, and have been hits in various genres including pop, gospel, and blues. He has been inducted into multiple music halls of fame.
If you're a Country music fan you will know all about Hank Williams. If you are not, then you should. The man is a music legend and has influenced countless other artists. There are many complilations of his music available, and this is a good place to start.
Tracklist
1-1 Move It On Over 2:43
1-2 A Mansion On The Hill 2:33
1-3 Lovesick Blues 2:42
1-4 Wedding Bells 2:53
1-5 Mind Your Own Business 2:53
1-6 You're Gonna Change (Or I'm Gonna Leave) 2:55
1-7 Lost Highway 2:40
1-8 My Bucket's Got A Hole In It 2:31
1-9 I'm So Lonesome I Could Cry 2:45
1-10 I Just Don't Like This Kind Of Living 2:46
1-11 Long Gone Lonesome Blues 2:36
1-12 My Son Calls Another Man Daddy 2:32
1-13 Why Don't You Love Me 2:22
1-14 Why Should We Try Anymore 2:36
1-15 They'll Never Take Her Love From Me 2:43
1-16 Moanin' The Blues 2:22
1-17 Nobody's Lonesome For Me 2:29
1-18 Cold Cold Heart 2:42
1-19 Dear John 2:33
1-20 Howlin' At The Moon 2:41
2-1 I Can't Help It (If I'm Still In Love With You) 2:22
2-2 Hey, Good Lookin' 2:53
2-3 Crazy Heart 2:25
2-4 (I Heard That) Lonesome Whistle 2:24
2-5 Baby, We're Really In Love 2:30
2-6 Ramblin' Man 3:01
2-7 Honky Tonk Blues 2:09
2-8 I'm Sorry For You My Friend 2:40
2-9 Half As Much 2:41
2-10 Jambalaya (On The Bayou) 2:51
2-11 Window Shopping 2:31
2-12 Settin' The Woods On Fire 2:34
2-13 You Win Again 2:34
2-14 I'll Never Get Out Of This World Alive 2:24
2-15 Kaw-liga 2:33
2-16 Your Cheatin' Heart 2:41
2-17 Take These Chains From My Heart 2:36
2-18 I Won't Be Home No More 2:43
2-19 Weary Blues From Waitin' 2:33
2-20 I Saw The Light 2:42
Note: this replaces original post "The Original Singles Collection" due to corrupted files.
Wednesday, May 11, 2011
The Dave Brubeck Quartet....Time Out
Boasting the first jazz instrumental to sell a million copies, the Paul Desmond-penned "Take Five," Time Out captures the celebrated jazz quartet at the height of both its popularity and its powers. Recorded in 1959, the album combines superb performances by pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright. Along with "Take Five," the album features another one of the group's signature compositions, "Blue Rondo a la Turk." Though influenced by the West Coast-cool school, Brubeck's greatest interest and contribution to jazz was the use of irregular meters in composition, which he did with great flair. Much of the band's appeal is due to Desmond, whose airy tone and fluid attack often carried the band's already strong performances to another level. Together, he and Brubeck proved one of the most potent pairings of the era. --Fred Goodman Amazon.com
1. Blue Rondo à la Turk
2. Strange Meadow Lark
3. Take Five
4. Three To Get Ready
5. Kathy's Waltz
6. Everybody's Jumpin'
7. Pick Up Sticks
1. Blue Rondo à la Turk
2. Strange Meadow Lark
3. Take Five
4. Three To Get Ready
5. Kathy's Waltz
6. Everybody's Jumpin'
7. Pick Up Sticks
Tuesday, April 26, 2011
Link Wray.....The Original Rumble plus 22 other Storming Guitar Instrumentals
Fred Lincoln 'Link' Wray, Jr. (May 2, 1929 – November 5, 2005), was an American rock and roll guitarist, songwriter and vocalist who first came to popularity in the late 1950s.
Building on the distorted electric guitar sound of early records, his 1958 instrumental hit "Rumble" by Link Wray and his Ray Men popularized "the power chord, the major modus operandi of modern rock guitarists", making possible "punk and heavy rock". Rolling Stone placed Wray at No. 45 of the 100 greatest guitarists of all time. In 2013 he was announced as a nominee for the Rock and Roll Hall of Fame. His musical style primarily consisted of rock and roll, rockabilly and country.
1. Rumble
2. The Swag
3. Batman (Theme)
4. Ace Of Spades
5. Jack The Ripper
6. I'm Branded
7. Fat Back
8. Run Chicken Run
9. Turnpike USA
10. Deuces Wild
11. Mustang
12. Blueberry Hill
13. Run Boy Run
14. The Sweeper
15. Hound Dog
16. That'll Be The Day
17. The Fuzz
18. Rawhide
19. Draggin'
20. Aces Wild
21. Bull Dawg
22. The Rumble Man
23. Copenhagen
Monday, April 18, 2011
Miles Davis.....Kind of Blue
This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed (Amazon review)
1. So What 9:22
2. Freddie Freeloader 9:46
3. Blue In Green 5:37
4. All Blues 11:32
5. Flamenco Sketches 9:26
6. Flamenco Sketches (alternate take) 9:31
Monday, April 11, 2011
B B King....Singin' the Blues / The Blues (first 2 albums)
B.B. King's first tracks were cut for Bullet Records in 1949, but he cut his first two albums for the RPM/Kent label. These two albums, which are brought together on one CD, were originally released in 1956 and 1960 respectively, and they still stand proudly as B.B. King's best and bluesiest. They contain classic songs like "Three O'Clock Blues," "You Know I Love You," "Woke Up This Morning," "Please Love Me" and "When My Heart Beats Like a Hammer." The box set King of the Blues contains only three of these songs. The arrangements are smooth and elegant, frequently displaying a hint of jazz, and King is backed by a well-arranged horn section in true Memphis blues fashion. If you're looking for a more complete introduction to the formative years of one of the greatest living bluesmen, this is the album to get.
1. Please Love Me
2. You Upset Me Baby
3. Everyday (I Have The Blues)
4. Bad Luck
5. Three O'clock Blues
6. Blind Love
7. Woke Up This Morning (My Baby She Was Gone)
8. You Know I Love You
9. Sweet Little Angel
10. Ten Long Years
11. Did You Ever Love A Woman
12. Crying Won't Help You
13. Why Do Things Happen To Me
14. Ruby Lee
15. When My Heart Beats Like A Hammer
16. Past Day
17. Boogie Woogie Woman
18. Early Every Morning
19. I Want To Get Married
20. That Ain't The Way To Do It
21. Troubles, Troubles, Troubles
22. Don't You Want A Man Like Me
23. You Know I Go For You
24. What Can I Do
BLUES JAM SESSION..Learn To Play Blues Guitar With 60 Blues Backing Tracks, Video Lessons And Courses
Tuesday, April 5, 2011
Muddy Waters...Folk Singer
Muddy Waters started out playing acoustic blues in the Delta, and it shows on this return to his roots, designed to appeal to the mid-1960s surge of interest in folk music. It's a wonderful acoustic blues album. You've got the king of the electric blues, his wonderful voice and slide guitar, you've got legendary songwriter/bassist Willie Dixon, AND, as if that weren't enough, a very young Buddy Guy on lead guitar!All of the other reasons to hear this one remain--Waters's strong, confident voice, the relaxed smoothness of the material, and the surprisingly clean recording, made even cleaner by the digital remastering.
1. My Home Is In The Delta
2. Long Distance
3. My Captain
4. Good Morning Little School Girl
5. You Gonna Need My Help
6. Cold Weather Blues
7. Big Leg Woman
8. Country Boy
9. Feel Like Going Home
10. The Same Thing
11. You Can't Lose What You Ain't Never Had
12. My John The Conqueror Root
13. Short Dress Woman
14. Put Me In Your Lay Away
1. My Home Is In The Delta
2. Long Distance
3. My Captain
4. Good Morning Little School Girl
5. You Gonna Need My Help
6. Cold Weather Blues
7. Big Leg Woman
8. Country Boy
9. Feel Like Going Home
10. The Same Thing
11. You Can't Lose What You Ain't Never Had
12. My John The Conqueror Root
13. Short Dress Woman
14. Put Me In Your Lay Away
Friday, April 1, 2011
Cannoball Adderley....Somethin' Else...Blue Note classic
You don't have to be a pure Jazz fan to appreciate this masterpiece. Just put it on and chill man!
This wondrously relaxed blowing session was recorded in 1958 when Julian "Cannonball" Adderley was a member of Miles Davis's group--the one that recorded Kind of Blue--and the date is as much the trumpeter's as it is the altoist's. Davis's voice is much in evidence, from the subdued fire of the ballads to the crackling flames of the title tune, while Adderley's creamy alto invokes earlier swing and blues masters as well as Charlie Parker. The ballads and long, medium-tempo blues are complemented superbly by the thoughtful voicings of pianist Hank Jones and the great rhythm section of bassist Sam Jones and Art Blakey, who distinguished every session they participated in together. While Davis's Columbia recordings of the period were often ambitious and groundbreaking music, this Blue Note date is a more casual masterpiece.
1. Autumn Leaves
2. Love for Sale
3. Somethin' Else
4. One for Daddy-O
5. Dancing in the Dark
6. Alison's Uncle (extra track not on original vinyl LP)
Saturday, March 5, 2011
Howlin' Wolf.........Moanin' in the Moonlight & Howlin' Wolf
This package combines blues giant Howlin' Wolf's first two albums, themselves compilations of his singles released between 1951 and 1962. Apart from two tracks cut in Memphis with Ike Turner, these Chess Studios recordings are landmarks in the development of electric Chicago blues. The Mississippi Delta native's gruff persona towers over "Smokestack Lightnin'," "Red Rooster," "Spoonful," "Evil," "Wang Dang Doodle," "Back Door Man," and others that have become standards since being "discovered" by the Rolling Stones, Clapton, The Doors, et al. Almost as influential as Wolf's bottomless growl are the guitar playing of Hubert Sumlin and the writing and direction of Willie Dixon....a weighty slice of American musical history. --Ben Edmonds (Amazon)
1. Shake For Me
2. Little Red Rooster
3. You'll Be Mine
4. Who's Been Talking?
5. Wang Dang Doodle
6. Little Baby
7. Spoonful
8. Goin' Down Slow
9. Down In The Bottom
10. Back Door Man
11. Howlin' For My Darlin'
12. Tell Me
13. Moanin' At Midnight
14. How Many More Years
15. Smokestack Lightnin'
16. Baby How Long
17. No Place To Go (You Gonna Wreck My Life)
18. All Night Boogie (All Night Long)
19. Evil (Is Going On)
20. I'm Leavin You
21. Moanin' For My Baby
22. I Asked For Water (She Gave Me Gasoline)
23. Forty Four
24. Somebody In My Home
Wednesday, March 2, 2011
Robert Johnson...King of the Delta Blues Singers...Vols.1 & 2
If there is a recording that is required listening for every blues fan, it's this one. Robert Johnson wasn't just King of the Delta blues; he was one of its founding fathers, and these re-mastered tunes are as timeless and important today as they were all those years ago. The songs that passed into the blues canon, to be covered by countless guitarists over the years, are here: "Crossroad Blues," "Preaching Blues," "Come On In My Kitchen," "Walking Blues," and more. And on this particular version of this often-reissued recording, there's an additional treat: a previously unreleased version of "Traveling Riverside Blues." One of the most important and influential blues albums of all time has been digitally remastered and includes a newly-discoverd, previously unreleased alternate version of "Traveling Riverside Blues." Absolutely essential. --Genevieve Williams (Amazon.com)
Vol.1
1. Cross Road Blues
2. Terraplane Blues
3. Come On In My Kitchen
4. Walkin' Blues
5. Last Fair Deal Gone Down
6. 32-20 Blues
7. Kind Hearted Woman Blues
8. If I Had Possession Over Judgement Day
9. Preachin' Blues (Up Jumped The Devil)
10. When You Got A Good Friend
11. Ramblin' On My Mind
12. Stones In My Passway
13. Traveling Riverside Blues
14. Milkcow's Calf Blues
15. Me And The Devil Blues
16. Hell Hound On My Trail
17. Traveling Riverside Blues (Alternate Take)
Vol.2
1. Kind Hearted Woman Blues
2. I Believe I'll Dust My Broom
3. Sweet Home Chicago
4. Ramblin' On My Mind
5. Phonograph Blues
6. They're Red Hot
7. Dead Shrimp Blues
8. Preachin' Blues (Up Jumped The Devil)
9. I'm A Steady Rollin' Man
10. From Four Until Late
11. Little Queen Of Spades
12. Malted Milk
13. Drunken Hearted Man
14. Stop Breakin' Down Blues
15. Honeymoon Blues
16. Love In Vain
17. Ramblin' On My Mind (Take 2)
John Lee Hooker...........Real Folk Blues / More Real Folk Blues
Delta native son turned Detroit and Chicago electric-blues groove king John Lee Hooker had been recording for nearly 20 years (for at least a half-dozen labels under as many aliases) when he cut these tracks for Chess Records in the mid-'60s.
Hooker's 1966 Chess sessions find him working in a band format, which could be a risky proposition for a musician all too happy to meditate endlessly on a single groove and often unrestrained by the niceties of meter and 12-bar form. But with the able and alert assistance of guitarist Eddie Burns, pianist Lafayette Leake, and drummer Fred Below, Hooker stretches out and turns in one of his most expressive and inventive vocal performances. Whether he's loping through the feverish boogie of "Let's Go Out Tonight," ruminating on romance in a sinister remake of his '51 hit "I'm in the Mood," or expanding the genre's very boundaries with the eerie "Waterfront" (a track liner-note writer Chris Morris astutely credits for inspiring Van Morrison's vocal style), Hooker makes you believe every word. This is also the session that yielded the original "One Bourbon, One Scotch, One Beer," long a staple of latter-day blues-rocker George Thorogood's act. --Jerry McCulley (Amazon.com)
1. Let's Go Out Tonight
2. Peace Lovin' Man
3. Stella Mae
4. I Put My Trust In You
5. I'm In The Mood
6. You Know, I Know
7. I'll Never Trust Your Love Again
8. One Bourbon, One Scotch, One Beer
9. The Waterfront
10. This Land Is Nobody's Land
11. Deep Blue Sea
12. Nobody Knows
13. Mustang Sally And GTO
14. Lead Me
15. Catfish
16. I Can't Quit You Baby
17. Want Ad Blues
18. House Rent Blues
Friday, February 18, 2011
welcome to my blog.....say hello...leave a comment....
Hello bloggers and welcome to "This Jukebox Rocks". I know you're out there, you've been downloading my "sample" files. I hope you are enjoying the music as much as I am presenting it. This blog is still a work in progress and I have many more interesting items to upload yet, so hey, do me a small favour, leave a comment, say hello, say thank you, show some appreciation...that's all I ask. My time is limited at the moment, but if I know you are there I will make more time and effort to post more regularly. Maybe there is something specific you are after or looking for. Drop me a line as I may just have it. Even if you just have a keen appreciation for the music, let me know and I will be very happy. ...........Peace, Love and Music.......Memphis Marty
PS...NO SPAMMERS PLEASE!
PS...NO SPAMMERS PLEASE!
Wednesday, January 12, 2011
Miles Davis.....Birth of the Cool
Birth of the Cool is the first important leader date from Miles Davis, one of jazz's most seminal figures and farsighted practitioners. Having made his reputation in large measure from playing with bop giant Charlie Parker, Davis confounded expectations when he embraced the "cool" arranging style of Gil Evans, an arranger for Claude Thornhill's band. Evans, who was employing unique voicings by adding French horns and tuba to Thornhill's instrumentations, also emphasized a diminished use of vibrato in both reeds and brass, producing a drier, "cool" sound. Two of Evans's arrangements, "Boplicity" and "Moon Dreams," appear on the album. Also involved are baritone saxophonist Gerry Mulligan, who contributed such outstanding tunes as "Jeru" and "Venus de Milo," and Modern Jazz Quartet pianist John Lewis. The result is a date that has withstood the tests of time, fashion, and Davis's own extraordinary growth as a performer. An enhanced set, The Complete Birth of the Cool expands the original issue with previously bootlegged live recordings of Davis's nonet at the Royal Roost in New York in 1948. Although the sound quality is far from perfect, the performances are remarkable, and worth the additional expense for the serious fan. --Fred Goodman..Amazon.com
Jazz Guitar Chord System Learning To Play Jazz Guitar Chords Couldn't Be Made Any Simpler Than With The Jazz Guitar Chord System. This System Gives The Guitarists A Steadfast Structure For Learning Multiple Voicings For Jazz Chords.
Tuesday, January 11, 2011
Bo Diddley.....Hey! Bo Diddley / Bo Diddley
Bo Diddley (December 30, 1928 – June 2, 2008), born Ellas Otha Bates, was an original and influential American rock ‘n roll singer, guitarist, and songwriter. He was known as “The Originator” because of his key role in the transition from blues music to rock ‘n roll, influencing a host of legendary acts including Buddy Holly, Jimi Hendrix and Eric Clapton.
There are any number of excellent Bo Diddley compilations that cherry pick the man's work and if you merely are after a concise overview, several do the job perfectly. This 24 track release from 1995 would seem to be an excellent starting point as it comprises complete reissues of two albums from 1962 and 1963 and furthermore has a strong sprinkling of those very titles that reappear on so many collections. The first 12 tracks comprise the album Hey! Bo Diddley, released in the UK on Pye International in April 1963, and the second 12 made up the album Bo Diddley which followed 5 months later.
There are any number of excellent Bo Diddley compilations that cherry pick the man's work and if you merely are after a concise overview, several do the job perfectly. This 24 track release from 1995 would seem to be an excellent starting point as it comprises complete reissues of two albums from 1962 and 1963 and furthermore has a strong sprinkling of those very titles that reappear on so many collections. The first 12 tracks comprise the album Hey! Bo Diddley, released in the UK on Pye International in April 1963, and the second 12 made up the album Bo Diddley which followed 5 months later.
Wednesday, October 27, 2010
The Fats Domino Collection...40 Original Hits
Antoine Dominique "Fats" Domino Jr. is an American pianist and singer-songwriter of Louisiana Creole descent. He had 35 records in the U.S. Billboard Top 40, and five of his pre-1955 records sold more than a million copies, being certified gold.
Between 1955 and 1960, he had eleven Top 10 hits, and his record sales were reportedly surpassed only by Elvis Presley. During his career, Domino sold more than 65 million records. His musical style was based on traditional rhythm and blues, accompanied by saxophones, bass, piano, electric guitar, and drums.
also available
Greatest Hits: Walking To New Orleans
Goin' Home: A Tribute to Fats Domino
Early Imperial Singles 1950-52
Sunday, October 10, 2010
Jerry Lee Lewis..........Sun Essentials
Jerry Lee Lewis, the Killer, is the rock n' roll singer-songwriter and pianist, whose enduring image will be him standing at the piano, limbs flailing, quiff flying, while he belts out "Great Balls of Fire" - his signature tune.
Lewis developed his style early, mixing boogie-woogie, rock, gospel and rhythm and blues. As a youth he was expelled from university for playing 'worldly' music. He moved to Nashville in 1955 - only to be told his music was not country enough. He wound up at Sun Records, where he worked as a session man for, among others, Carl Perkins. It was during a recording session with Perkins, that they were joined in the studio for an impromptu jam by Elvis Presley and Johnny Cash. The resulting tapes - made by the engineer as a 'souvenir'- were released as the Million Dollar Quartet.
In 1957 he shook the world with "Whole Lotta Shakin' Goin' On" and "Great Balls of Fire" and looked set to have a stellar career, however his private life became public and everything changed. While touring in Europe, news circulated of Lewis' marriage to his thirteen year old cousin (once removed), the resulting backlash caused the cancellation of the tour and an almost complete halt to Lewis career in the States. He was reduced to playing small clubs for small money, while his records struggled to get airplay. Even the subterfuge of an instrumental record, released under the name The Hawk, was rumbled, and in 1963 his contract with Sun ended. New releases for another label barely troubled the charts. Forced to look further afield, Lewis returned to Europe, where he recorded Live at the Star Club, Hamburg, the album is regarded amongst the best live rock n' roll recordings made, and stands as a testimony to his performing verve.
Despite the problems surrounding his private life, complicated by drink and drugs, Lewis carved a successful career in country music, with a steady stream of top thirty country albums. However, he probably never got the opportunity to fulfill his potential and achieve the status of his peers, such as Elvis. Lewis' contribution to music was recognized in 1986, when he was inducted into the Rock n Roll Hall of Fame, he is also a member of the Rockabilly Hall of Fame, and in the top thirty of Rolling Stone Magazine's Greatest Artist of All Time list. A biopic of Lewis' life was released in 1989.
Content provided by SoundUnwound Copyright © 2008 IMDb.com, Inc. or its affiliates
Lewis developed his style early, mixing boogie-woogie, rock, gospel and rhythm and blues. As a youth he was expelled from university for playing 'worldly' music. He moved to Nashville in 1955 - only to be told his music was not country enough. He wound up at Sun Records, where he worked as a session man for, among others, Carl Perkins. It was during a recording session with Perkins, that they were joined in the studio for an impromptu jam by Elvis Presley and Johnny Cash. The resulting tapes - made by the engineer as a 'souvenir'- were released as the Million Dollar Quartet.
In 1957 he shook the world with "Whole Lotta Shakin' Goin' On" and "Great Balls of Fire" and looked set to have a stellar career, however his private life became public and everything changed. While touring in Europe, news circulated of Lewis' marriage to his thirteen year old cousin (once removed), the resulting backlash caused the cancellation of the tour and an almost complete halt to Lewis career in the States. He was reduced to playing small clubs for small money, while his records struggled to get airplay. Even the subterfuge of an instrumental record, released under the name The Hawk, was rumbled, and in 1963 his contract with Sun ended. New releases for another label barely troubled the charts. Forced to look further afield, Lewis returned to Europe, where he recorded Live at the Star Club, Hamburg, the album is regarded amongst the best live rock n' roll recordings made, and stands as a testimony to his performing verve.
Despite the problems surrounding his private life, complicated by drink and drugs, Lewis carved a successful career in country music, with a steady stream of top thirty country albums. However, he probably never got the opportunity to fulfill his potential and achieve the status of his peers, such as Elvis. Lewis' contribution to music was recognized in 1986, when he was inducted into the Rock n Roll Hall of Fame, he is also a member of the Rockabilly Hall of Fame, and in the top thirty of Rolling Stone Magazine's Greatest Artist of All Time list. A biopic of Lewis' life was released in 1989.
Content provided by SoundUnwound Copyright © 2008 IMDb.com, Inc. or its affiliates
Thursday, July 15, 2010
Johnny Cash.......The Sun Years
Many will be most familiar with Johnny Cash through the recent biopic of his life, Walk the Line. But for a life as well lived as Cash's, the film is only the tip of the iceberg. Johnny Cash was one of the real characters of twentieth century American music. His personality and talent helped him find fans across musical genres, inspiring artists in country, blues, alt country, indie rock, alt rock and even hip-hop. He worked with many well known artists covering an array of genres, including artists like Willie Nelson, Waylon Jennings and Kris Kristofferson as one fourth of The Highwaymen, and others such as Roy Orbison, Jerry Lee Lewis, Elvis Presley, Bob Dylan, and U2.
His long career spanned more than 50 years and encompassed many different artistic mediums including writing, acting, and a prolific recording career. In his lifetime Johnny Cash released well over 70 albums, including more than 50 studio albums.....(text from Amazon)
This 3CD collection contains 82 tracks of the classic Sun sessions recordings including alternate and demo tracks
His Sun Years
Sun Years (Mcup)
Wanda Jackson.....Queen of Rockabilly
Wanda Jackson has said that she was never as consciously committed to rockabilly or rock & roll as her career direction would seem to indicate; she spent years walking a tightrope between traditional country and rock & roll, just trying to carve out a niche for herself and earn a living, and rock & roll was as new to her as it was to most country music fans in 1954-1955. In keeping with the sensibilities of the era, as the daughter of white working-class Texas-born transplants to Oklahoma (and then to California -- around Bakersfield, natch -- and back to Oklahoma), blues and R&B, as something that she would do herself or allow herself to be influenced by, were mostly alien to her when she began exploring the music (with help and encouragement from Elvis Presley) in 1955.
Luckily, the King of Rock & Roll was correct in his assessment of Jackson as a natural, and she became the Queen of Rockabilly at a time when Janis Martin was "the Female Elvis" and Brenda Lee was some child mutant doing rock & roll with some success. Jackson even recorded with a mixed-race band, the Poe Cats (including Big Al Downing), beginning in early 1958, and the records were amazing, although they didn't start selling seriously until 1960, when a DJ started playing "Let's Have a Party," a three-year-old track off of her 1957 debut LP, and Capitol got it out as a single. She was suddenly on the pop charts, as a unique voice and personality by then, and her career, which had started to coast, was suddenly thrown into high gear.
Available from Amazon
Rockin With Wanda
Vintage Collections
Guitar Success System - The Only Guitar Course You'll Ever Need!
Thursday, June 3, 2010
Subscribe to:
Posts (Atom)